fufaraw: mist drift upslope (Default)

I'm asking those who love the outdoors to post a picture on your page. A picture that YOU took. Just a pic. No description. The goal is to regain peace and harmony without negativity. Please copy the text, put a picture on YOUR page, and let's look at these beautiful pictures.

20190415_133327

And you know what? This is such a good idea, have another photo! Click on the pic for a larger, clearer view.

20190428_134112 ed
fufaraw: mist drift upslope (Default)
I'm changing to this icon a bit early. Brrrr.

DH missed his connecting flight by two minutes and was stranded overnight at SeaTac. Alaska vouched him a hotel room and rebooked him on this AM's commuter flight--which was overrun. He was rebooked on standby for the 2:30 flight, the next one available was last of the day at 9:30. So he's on a shuttle bus, headed this way. The longer I'm an adult, the less I'm enchanted by surprise!snow.
fufaraw: animated snowfall (red umbrella snow)
Between depression, illness, and bad weather, I hadn't left the house since last week. So yesterday OH and I went for a drive down the cliff face. All the freshets and seasonal creeks and falls are running white.

We headed out to the island to see if the snow geese had arrived yet, and as we were driving across flat farmland, we saw a small flock at about two o'clock. Another minute, and a larger flock flew over us, from our ten o'clock to four, to join with the first flock. As we watched, they eddied together, the whole flock rising and dipping, each individual changing direction and pitch with but a single thought, like schooling fish, or the murmuration of starlings. What organic mechanism enables these school/flock behaviors? So unlike our earthbound mammalian experience--to be airborne or waterborne and part of a larger whole, what must that feel like? We watched for several minutes before they settled in a faraway field to feed.

Swans are here, too, trumpeters and tundra swans, spread like patchy fluffernutter over muddy ground, their necks and breasts and feet streaked with snowmelt-soggy soil. We rarely get to see the storybook convention of swans gliding serenely on water, apparently propelled by mind control, their paddling feet hidden beneath the surface. They feed and breed here. We never see cygnets, only the grey-speckled yearlings hatched in their summer grounds and accompanying their parents back to overwinter here.

Leafless winter trees make good visibility for eagle-spotting. Dozens of bald eagles line rivers and lake edges, sharp eyes seeking spawning salmon. We passed one fellow who had his eye on red meat, mouse or vole, some field dweller, as he perched not six feet above the ground in a roadside tree overlooking a fallow field.

And the blue skies and bright sun we'd set out in had succumbed to scudding grey cloud before we headed home.
fufaraw: mist drift upslope (painted star)
100_5190 ed



has volunteered around the bottom of the base the Buddha figure sits on. It's even peeking out of the wee cave between the uprights. The brand new Temple Bells vines have started their climb up the trellis--and there are even wee tiny flowers on the vine.

There are bright geraniums and petunias and other flowers along the fence on the other side of the house, and in the planters along the front. But there's something quiet and peaceful about these delicate white flowers sprinkled through the green.
fufaraw: animated snowfall (red umbrella snow)
in my collection, "forty minutes of costner closeups," which signifies what a good movie Wyatt Earp would have been without them. It's relevant to this post.

Watching Longmire on Netflix, I was prompted to ruminate on Graham Greene's career, and how much better a movie Dances With Wolves would have been without Dunbar as the central character. Likewise, Thunderheart.Walter crow horse Walter Crow Horse remains one of my favorite movie characters, and absolutely my favorite of Greene's.

In exactly the same way, The Last Samurai would have been indeed a "perfect" movie without the Algren character. Entry into Katsumodo's world, as into the Lakota world of 1870 or 1990, would have been simpler, more organic without the contrivance of a tragic, conflicted white man and his coming to terms with his past while learning the way of the samurai.

Watanabe, Sanada, Koyamada, and Fukumoto, as well as the rest of the cast, would have been fascinating enough without the intrusion of Algren and the necessity of teaching and rehabilitating him that served as the impetus for the story. These and other stories would unfold in their starknesses and glory just fine without that white-insert "POV" character. I want to see stories from the point of view of the people who live it, not the outsider POV of "one of us" introduced from outside the culture.

Ah, autumn

Sep. 27th, 2015 07:21 pm
fufaraw: (J2)
When the temperatures start to drop consistently, it's time for the resident spiders to prepare for winter. The row of dwarf arbor vitae between us and and the neighbor is cluttered with webs, as are the cedars behind our house. Sturdy individuals depend from every eave and gutter, and harvesting herbs is a guaranteed up close and personal encounter. All these lovelies are the tiger-striped garden spiders, classic in shape and proportion. All are hunting for whatever last sustenance they can find before mating--the males with an almost sure chance of being eaten, the females getting ready to cocoon themselves over the winter with their eggs, which will hatch in early spring and consume her body to fuel their break for freedom as the weather warms.

But the webs gleaming in the sun are artworks, flat planes set at subtly varying angles so that it's like a spaceship threading orbits of satellites around a giant planet. Each spider crouches in the center of its own web, reacting instantly when something touches its web--and often, its neighbors' webs. Spider watching can be similar to a soap opera. I just spent twenty minutes observing a smaller speciman, I assume a male, inching carefully onto the web of a larger neighbor--I assume a female. Slowly he advances, carefully he places his feets--twelve inches, eight, six, and...he stops less than two inches from her and waves his forefeet enticingly. She waits, immobile, until he gets close enough to tap her--and she pounces at him! He quickly scurries away, and she backs up to the high margin of her web, leaving the center invisible without her, a trap in the open air. He tucks under a cross member of the trellis, to plan his next attack, or if she succeeded in biting him, to slowly succumb.

Engrossed in the pair, I didn't notice when the sun moved, highlighting a dozen and more gleaming webs, and their proprietors, basking, and awaiting the next meal.

As it cools toward frost, they'll all disappear, until one morning the sun won't find a single web, not until sunrise some late spring morning.

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